Metlakatla collection returns to Canada

One month ago we discovered a story about a vast collection of Northwest British Columbia art that was up for bid at Sotheby’s in New York, an auction that had many Canadian museum officials worried that they would not be able to compete in, due to financial limitations.

As things turned out the museums themselves probably were out of the running rather quickly, but thanks to the generosity of one of Canada’s richest families much of the collection is coming back to Canada.

The Thomson’s, one of Canada’s (and the world's) most financially secure families, stepped up on the bidding floor yesterday to bring back the much desired First Nations collection.

Spending more than $5 million dollars, the Thomson’s acquired a vast array of the Dundas Collection, which was acquired at Old Metlakatla in 1863 by the Scottish missionary William Duncan.

The 5 million dollars spent by the Thomson’s, was the largest part of 7 million spent by a number of individual bidders on various items, making it a record breaking day for Sotheby’s in the world of First Nation’s art auctions.

The Thomson’s are said to be making plans to donate their purchase to the Art Gallery of Ontario to be put on display in a space currently being renovated to accept his generous donations.

Some of the key items that the Thomson bid acquired for the AGO include a Tsimshian wooden face mask purchased for $1.8-million Tsimshian wooden face mask purchased for $1.8-million, a slave killer club of carved elk or caribou antler adorned with totemic forms, which went for $940,000, and a clan hat, purchased for $660,000.

Canada’s Museum of Civilization in Gatineau (across the river from Ottawa) was also in on the bidding though in a minor role as they acquired five items with a total price tag of $87,600. And Prince Rupert’s Museum of Northern British Columbia, acquired a Northwest Coast polychromed wooden spoon for $22,800.

With Government funding cuts becoming more common these days, it’s expected that unless other Canadian’s of financial means step forward; many other items will drift away from Canadian museums.

The Globe and Mail had full details of what was called a breathless auction. One which left many of the 70 bidders in the room shocked at the pace of the bidding and at the amount of dollars being bid during the event.

Native art trove heads home
SIMON HOUPT
From Friday's Globe and Mail
Friday, October 6, 2006
E-mail Simon Houpt
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NEW YORK — More than two dozen rare items of northwest native art will be returning to Canada for the first time since they were taken from northern British Columbia in 1863, after members of the Thomson family suddenly stepped up to the plate, spending more than $5-million (U.S.) during a record-setting auction at Sotheby's in New York.

The objects, which are expected to find a home at the Art Gallery of Ontario, include a magnificent Tsimshian wooden face mask purchased for $1.8-million, including Sotheby's buyer's premium, a slave killer club of carved elk or caribou antler adorned with totemic forms, which went for $940,000, and a clan hat, purchased for $660,000. The mask set a record for an individual piece of native North American art sold at auction, more than doubling the previous mark. The auction set an overall record, becoming the first sale of so-called American Indian art to fetch more than $7-million.

Last night, David Thomson said his family purchased the items with the memory of his late father, Kenneth, in mind. Before his father died last June, he donated a wealth of Northwest Coast and Inuit art to the AGO, which is in the midst of a massive renovation to add space for his collection.

Kenneth Thomson, the former chairman of The Globe and Mail, was the architect of a global media empire, as well as a passionate art collector and supporter of the arts.

“This was right into the centre of his psyche and his aesthetic. These objects that I selected, frankly, he knew of them — from poor photographs, from descriptions — but of course he passed away long before we knew the collection would be sold publicly.” The collection's history stretches back to its acquisition in 1863, at Old Metlakatla, near present-day Prince Rupert, by the Scottish chaplain Rev. Robert James Dundas from the missionary William Duncan.
The 80 items ranged from sacred pieces used in spiritual ceremonies to tribal art created for the developing tourist trade.

In 1959, after other members of the family deemed the collection to have no financial value, Simon Carey, a great-grandson of Dundas, took possession of the items and began research on their significance.

Over the past three decades, Mr. Carey held on-and-off negotiations for the collection with some of the world's top cultural institutions, including the Smithsonian, the Metropolitan Museum of Art, the British Museum and the Canadian Museum of Civilization. When Mr. Carey chose last spring to let the market determine the fate of the items, government-funded institutions read the tea leaves and realized the collection would likely end up outside of Canada.

Mr. Carey is in a London hospital with cancer. His son Benjamin, who recalled playing as a five-year-old with the face mask and club, represented him at Thursday's auction.

The repatriation astonished observers in the cultural community who had expected that the high prices would prove to be out of the reach of Canadian bidders, primarily poorly endowed public institutions.

The Thomson family was represented at the auction by Donald Ellis, a private dealer based in Dundas, Ont., who also bid on behalf of two U.S. collectors and the Canadian Museum of Civilization. He had been hoping to represent the Royal B.C. Museum but a special grant request made by the museum was denied late Wednesday, putting it out of the race for the pieces of Canadian heritage.

Only minutes after Mr. Ellis heard the bad news from the B.C. museum, he got a call from a Thomson family member who reportedly had been prompted to step forward by an article in Wednesday's Globe and Mail. In the article, Mr. Ellis, who said he has worked for more than 20 years to bring the pieces to Canada, decried the Canadian dependence on government funding for cultural support.

“I have no desire to be the lead hand,” Mr. Thomson explained. “It would be of immense relief to me if other wealthy individuals could step up to the plate and also partake of, and celebrate, and ultimately preserve Canadian culture.

“I know the government is under tremendous pressure; there's been a lot of criticism. There were very few funds available for this auction; I'm in no position to be critical. Life is life; governments make priorities. But at the end of the day we're Canadians — this is a defining moment, and we need to, all of us, share in it.”

The Canadian Museum of Civilization acquired five items with a total price tag of $87,600. The Museum of Northern British Columbia in Prince Rupert acquired a Northwest Coast polychromed wooden spoon for $22,800.

The auction at Sotheby's Upper East Side headquarters was a breathless affair with often spirited bidding that sometimes shocked the assembled crowd of about 70. Among Mr. Ellis's successful bids were $273,600 for a Tsimshian circular wooden bowl resembling a bird, $251,200 for a polychromed wooden headdress of Tlinglit or Tsimshian origin and $204,000 for a Tsimshian wooden comb that carried a pre-auction estimate of $10,000-$15,000.

There is one more piece of the Dundas collection that was not up for auction Thursday, but is of intense interest to Canadian research institutions: the 250,000-word journals of the clergyman from 1859 to 1865.

Mr. Ellis said he had been led to believe that being Thursday's big spender gave him first negotiating rights for the journals. “We moved the way we did with the assumption that we would now get the opportunity.”